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| | | Article Name : | | | Ariel Dorfman’s Play Death and the Maiden: A
Moral Thriller | | Author Name : | | | Dr. ANSHU PANDEY1 | | Publisher : | | | Bridge Center | | Article URL : |  | | | Abstract : | | | My aim through this article is to propagate that The Modern
Drama, as all modern literature, mirrors the complex struggle of life.
The struggle which, whatever its individual or topical expression, ever
has its roots in the depth of human nature and social environment,
and hence is, to that extent, universal. Dorfman’ play Death and the
Maiden can be called moral thriller which describes common man
individual’s guilt, confession and reality. Morality presents itself as a
source of practical necessities. It is not merely a domain of normative
reasons, in the familiar sense of considerations that count in favour of
the ways of action morality happens to favour. Death and the Maiden
is an instruction in the psyche of people who lose their ability for usual
consideration on being subjected to traumatic experiences. The burning
issues are discovered with immense ability by the playwright Dorfman. | | Keywords : | | | Moral thriller, psyche, neurotic fears, aching anxieties
and Guilt
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